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When a beautiful, aspiring writer strides into the East Village bookstore where Joe Goldberg works, he does what anyone would do: he Googles the name on her credit card.
There is only one Guinevere Beck in New York City. She has a public Facebook account and Tweets incessantly, telling Joe everything he needs to know: she is simply Beck to her friends, she went to Brown University, she lives on Bank Street, and she’ll be at a bar in Brooklyn tonight—the perfect place for a “chance” meeting.
As Joe invisibly and obsessively takes control of Beck’s life, he orchestrates a series of events to ensure Beck finds herself in his waiting arms. Moving from stalker to boyfriend, Joe transforms himself into Beck’s perfect man, all while quietly removing the obstacles that stand in their way—even if it means murder
Trigger warnings: extremely sexual content, violence and stalking
I gotta hand it to Caroline Kepnes–for a debut novel, You is very, very, well-written, especially when considering the subject matter. The narration is the best part about this book–despite the unbelievably and disturbingly sexual language that Joe uses, despite the way he blames everybody but himself for his actions and his choices, despite the cold and calculating way he makes his plans without any thought to who he is harming, there were many instances throughout the story when I forgot that he was the bad guy. I am not gonna say that I ever rooted for him or supported his thoughts, but there were times when I found myself reading the book and thinking of him as just another regular male protagonist who is madly in love with a woman who does not love him back. That is not the story here though, and Joe’s obsession with Beck was something that will probably haunt me for a long time. I also loved the unreliability of Joe’s narration. Because of the way he perceives others and the world itself, and because we are reading the story from his perspective, I often had to figure out myself what the reality really was because Joe’s reality is extremely deluded.
However, despite the strong narration, the plot was flimsy at best. Everything was too easy for Joe–from stalking Beck to being able to interfere in her life the way he did–he was able to do all of it because of the carelessness of both Beck and the other supportive characters. I truly do not mean to blame the victim, but there are certain things you know not to do no matter how screwed up you are or how safe you feel in your neighborhood, especially when you are a twenty-something adult living all by yourself. In fact, the more I think about it, the more I realize that it wasn’t really that much of a challenge for Joe to do the things that he does in this novel, because all the characters are so incredibly stupid and reckless about their own personal safety.
In fact, this book has a plot simply because the characters lack common sense and intelligence. If the characters here did not make the mistakes that they did, the plot really would not have progressed very far.
Speaking of the plot, although Joe’s narration made it really easy for me to fly through the book, halfway in to the story I became extremely bored because of how repetitive and predictable everything was. I feel like this book should have been shorter, and several chapters here should have been simply cut, because they just were not necessary. The predictability and repetitiveness of the story made it difficult for me to finish this book, because after the 50% mark, every time I picked up the book I put it down again thinking “meh I know what’s gonna happen.” And I did. There really was no element of surprise after the 50% mark.
All in all, this was a good read, but not good enough that I would recommend it to anyone.
Have you ever read a book that gave you nightmares? Or haunted you for a long time? Which one was it and what made you want to read it?
Kelsea Glynn is the sole heir to the throne of Tearling but has been raised in secret by foster parents after her mother – Queen Elyssa, as vain as she was stupid – was murdered for ruining her kingdom. For 18 years, the Tearling has been ruled by Kelsea’s uncle in the role of Regent however he is but the debauched puppet of the Red Queen, the sorceress-tyrant of neighbouring realm of Mortmesme. On Kelsea’s 19th birthday, the tattered remnants of her mother’s guard – each pledged to defend the queen to the death – arrive to bring this most un-regal young woman out of hiding…
And so begins her journey back to her kingdom’s heart, to claim the throne, earn the loyalty of her people, overturn her mother’s legacy and redeem the Tearling from the forces of corruption and dark magic that are threatening to destroy it. But Kelsea’s story is not just about her learning the true nature of her inheritance – it’s about a heroine who must learn to acknowledge and live with the realities of coming of age in all its insecurities and attractions, alongside the ethical dilemmas of ruling justly and fairly while simply trying to stay alive..
I’ll be honest, I had very low expectations for this book, partly because of the abundance of negative reviews this book has on Goodreads and partly because of Emma Watson’s apparent obsession with this book. Now that I have finally read it myself, I am pleasantly surprised: Queen of the Tearling is an intriguing, entertaining, well-written piece of fantasy and a classic example of why we should all read a book ourselves in order to form our own opinion instead of listening to what the mass people are saying. The characters were very interesting and well developed–Kelsea is by far one of my favorite female characters; she has her flaws like any nineteen-year-old but what sets her apart Continue reading